NATURES MORTES BY ANNE IMHOF AT PALAIS DE TOKYO, PARIS

PHOTOGRAPHY Samuel Spreyz

In order of appearance: Anne Imhof, ‘Street’, 2021, Steel, glass, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, ‘Passage’ (Detail), 2021, Glass, steel, wood, acrylic, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Eliza Douglas & Anne Imhof, ‘Sound Rail II’ (Detail), 2021, Steel, speakers, Courtesy the artist, Galerie Buch holz & Sprüth Mager · Anne Imhof, ‘Passage’ (Detail), 2021, Glass, steel, wood, acrylic, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Wolfgang Tillmans, ‘An der Isar II’, 2008, C-print mounted on Dibond, artist’s frame, Courtesy Galerie Buchholz · Sigmar Polke, ‘Axial Age’, 2005-2007, Nine panels, artificial resin, dry pigment on fabric, Pinault Collection, © The Estate of Sigmar Polke · Anne Imhof, Untitled (Natures mortes) (Detail), 2021, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, ‘Passage’ (Detail), 2021, Glass, steel, wood, acrylic, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Sturtevant, Finite Infinite, 2010, Four-channel video installation, Courtesy Air de Paris, © Estate Sturtevant · Anne Imhof, ‘Passage’ (Detail), 2021, Glass, steel, wood, acrylic, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, ‘Maze’, 2021, Glass, steel · ‘Untitled (Wave)’, 2021, Video, color, sound, 30min19s, featuring Eliza Douglas, directed by Jean-René Étienne and Lola Raban-Oliva · Sigmar Polke, ‘Axial Age’, 2005-2007, Nine panels, artificial resin, dry pigment on fabric · Cyprien Gaillard, Green Vessel Study (2020), Polaroid, mat, aluminium and plexi frame, Courtesy of the artist & Sprüth Magers, © Cyprien Gaillard · ‘Carte blanche à Anne Imhof, Natures Mortes’, exhibition view, Palais de Tokyo, Paris, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, Untitled (Imagine), 2019, Plate, bronze cast, helmet, Courtesy of the artist & Galerie Buchholz · Anne Imhof, ‘Passage’ (Detail), 2021, Glass, steel, wood, acrylic, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, Untitled (Natures mortes), 2021, Seven panels, oil on canvas, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Cady Noland, Tanya as a Bandit, 1989, Silkscreen ink on aluminium, fabric, Coll. Udo und Anette Brandhorst · Eliza Douglas & Anne Imhof, ‘Sound Rail I’ (Detail), 2021, Steel, speakers, Music by Eliza Douglas, Soundtrack : Silver; Melted Star; Scream/Shred; Gold; Satan’s Slumber, Courtesy of the artists, Galerie Buchholz & Sprüth Magers · Anne Imhof, ‘High Bed’, 2021, Steel, foam mattress, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, ‘Sex’, 2021, Video, 3h12min45s, Courtesy of the artist, Galerie Buchholz & Sprüth Magers · Eliza Douglas & Anne Imhof, ‘Vape Music’, 2021, Video, color, sound, Music Performed by Eliza Douglas & Anne Imhof, Performers: Daniel Birkner, Kwaku Broni, June Won Choi, Jakob Eilinghoff, Bruno Krahl, Mickey Mahar & Henning Sponholz, Courtesy the artists, Galerie Buchholz & Sprüth Magers · Wolfgang Tillmans, ‘An der Isar II’, 2008, C-print mounted on Dibond, artist’s frame, Courtesy Galerie Buchholz · ‘Carte blanche à Anne Imhof, Natures Mortes’, exhibition view, Palais de Tokyo, Paris, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, ‘Track’ (Detail), 2021, Steel, Courtesy the artist, Galerie Buchholz & Sprüth Magers · Anne Imhof, ‘Passage’ (Detail), 2021, Glass, steel, wood, acrylic · Alvin Baltrop, The Piers (Man holding pants), 1975-1986, Gelatin silver print, Courtesy Galerie Buchholz · David Hammons, ‘Phat Free’, 1995-1999, Video transferred to DVD (colour, sound), Coll. S.M.A.K., © David Hammons · Mohamed Bourouissa, ‘The Ride’, 2017, Color and black & white silver print on car metalplate, body part, spray painting, laquer, Courtesy Kamel Mennour · Anne Imhof, Untitled (Natures mortes), 2021, Seven panels, oil on canvas, Courtesy the artist, Galerie Buchholz & Sprüth Magers